1) Song
SWEETEST love, I do not go,
For weariness of thee,
Nor in hope the world can show
A fitter love for me ;
But since that I
At the last must part, 'tis best,
Thus to use myself in jest
By feigned deaths to die.
Yesternight the sun went hence,
And yet is here to-day ;
He hath no desire nor sense,
Nor half so short a way ;
Then fear not me,
But believe that I shall make
Speedier journeys, since I take
More wings and spurs than he.
O how feeble is man's power,
That if good fortune fall,
Cannot add another hour,
Nor a lost hour recall ;
But come bad chance,
And we join to it our strength,
And we teach it art and length,
Itself o'er us to advance.
When thou sigh'st, thou sigh'st not wind,
But sigh'st my soul away ;
When thou weep'st, unkindly kind,
My life's blood doth decay.
It cannot be
That thou lovest me as thou say'st,
If in thine my life thou waste,
That art the best of me.
Let not thy divining heart
Forethink me any ill ;
Destiny may take thy part,
And may thy fears fulfil.
But think that we
Are but turn'd aside to sleep.
They who one another keep
Alive, ne'er parted be.
2) Woman's Constancy
NOW thou hast loved me one whole day,
To-morrow when thou leavest, what wilt thou say ?
Wilt thou then antedate some new-made vow ?
Or say that now
We are not just those persons which we were ?
Or that oaths made in reverential fear
Of Love, and his wrath, any may forswear ?
Or, as true deaths true marriages untie,
So lovers' contracts, images of those,
Bind but till sleep, death's image, them unloose ?
Or, your own end to justify,
For having purposed change and falsehood, you
Can have no way but falsehood to be true ?
Vain lunatic, against these 'scapes I could
Dispute, and conquer, if I would ;
Which I abstain to do,
For by to-morrow I may think so too.
3) Negative love
I NEVER stoop'd so low, as they
Which on an eye, cheek, lip, can prey ;
Seldom to them which soar no higher
Than virtue, or the mind to admire.
For sense and understanding may
Know what gives fuel to their fire ;
My love, though silly, is more brave ;
For may I miss, whene'er I crave,
If I know yet what I would have.
If that be simply perfectest,
Which can by no way be express'd
But negatives, my love is so.
To all, which all love, I say no.
If any who deciphers best,
What we know not—ourselves—can know,
Let him teach me that nothing. This
As yet my ease and comfort is,
Though I speed not, I cannot miss.
edgar allan poe
slyvia plath ;
1) FIRESONG.
Born green we were to this flawed garden, but in speckled thickets, warted as a toad, spitefully skulks our warden, fixing his snare which hauls down buck, cock, trout, till all most fair is tricked to faulter in split blood. Now our whole task's to hack some angel-shape worth wearing from his crabbed midden where all's wrought so awry that no straight inquiring could unlock shrewd catch silting our each bright act back to unmade mud cloaked by sour sky. Sweet salts warped stem of weeds we tackle towards way's rank ending; scorched by red sun we heft globed flint, racked in veins' barbed bindings; brave love, dream not of staunching such strict flame, but come, lean to my wound; burn on, burn on
2 )CHILDLESS WOMAN
The womb
Rattles its pod, the moon Discharges itself from the tree with nowhere to go. My landscape is a hand with no lines, The roads bunched to a knot, The knot myself, Myself the rose you acheive--- This body, This ivory Ungodly as a child's shriek. Spiderlike, I spin mirrors, Loyal to my image, Uttering nothing but blood--- Taste it, dark red! And my forest My funeral, And this hill and this Gleaming with the mouths of corpses.
3) Crossing the water
Black lake, black boat, two black, cut-paper people. Where do the black trees go that drink here? Their shadows must cover Canada. A little light is filtering from the water flowers. Their leaves do not wish us to hurry: They are round and flat and full of dark advice. Cold worlds shake from the oar. The spirit of blackness is in us, it is in the fishes. A snag is lifting a valedictory, pale hand; Stars open among the lilies. Are you not blinded by such expressionless sirens? This is the silence of astounded souls.
4) Dark Wood, Dark Water
walt whitman
thomas hardy
maya angelou
| This wood burns a dark Incense. Pale moss drips In elbow-scarves, beards From the archaic Bones of the great trees. Blue mists move over A lake thick with fish. Snails scroll the border Of the glazed water With coils of ram's-horn. Out in the open Down there the late year Hammers her rare and Various metals. Old pewter roots twist Up from the jet-backed Mirror of water And while the air's clear Hourglass sifts a Drift of goldpieces Bright waterlights are Sliding their quoits one After the other Down boles of the fir. |
walt whitman
thomas hardy
maya angelou
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